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The 1975 had already released a platinum-selling album—their 2013 self-titled debut—before they learned to trust their own instincts. “It’s hard to have that confidence when you’re young,” frontman Matty Healy told Apple Music. “A lot of people’s early music has a lot to do with: ‘Is this cool enough to show my mates?’ That can kill bands if they never leave The Hawley Arms”—the Camden pub/epicenter of British indie music in the 2000s. So when they began to make their second album, 2016’s I like it when you sleep, for you are so beautiful yet so unaware of it, the four-piece resolved to ignore outside expectation. As Healy recalls, it was time to “do exactly what we want.” It was a smart move. 

Formed at school in Wilmslow, south of Manchester, in 2002, the group spent the second half of the 2010s becoming one of Britain’s biggest bands by continuously reinventing its sound. They’d begun by cloaking ’80s pop drama in the gauzy atmospherics of shoegaze on 2012’s Facedown EP, but were assimilating folk, UK garage, emo, techno, classical, and spoken-word features from Greta Thunberg by the time their 22-track fourth album Notes on a Conditional Form arrived in 2020. At the center of their sonic mazes, Healy, the son of TV actors Denise Welch and Tim Healy, addresses personal dramas and hot-button cultural themes with honesty and wit. If opening up about addiction and recovery ever threaten to shroud him in rock ’n’ roll folklore, songs such as “The Birthday Party”—partly about being too embarrassed to defecate if someone’s in the next room—deflate the myth-making.

Sprawling, restless, and striding snake-hipped along the line between invention and self-indulgence, their records often resemble great playlists rather than traditional albums. “We create in the way that we consume—with that same kind of pan-excitement,” said Healy. “There’s no rules when it comes to streaming. It doesn’t say, ‘Don’t listen to Headie One after Carole King.’ It’s almost like we don’t have those rules as well. There’s a lot of abrupt scene changes—but that’s what life’s like.”

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The 1975

Hi. We are Jay Siegan Presents. We are the talent liaisons that curate, ideate, and connect you to the right artists to transform special events into experiences of a lifetime. Our roots are those of musicologists and culture hawks, deeply embedded in the living performing arts. This is the foundation of our work, the soul of our business, and what we've been doing for over 25 years. We have the capacity and capability to bring any artist from anywhere in the world to your event. 

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Who we are

Hi. We are Jay Siegan Presents. We are the talent liaisons that curate, ideate, and connect you to the right artists to transform special events into experiences of a lifetime. Our roots are those of musicologists and culture hawks, deeply embedded in the living performing arts. This is the foundation of our work, the soul of our business, and what we've been doing for over 25 years. We have the capacity and capability to bring any artist from anywhere in the world to your event. 

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Please note, we are not the agents or managers for the talent listed, except as indicated, nor are we affiliated with any particular agency roster. This ideal and impartial position in the industry allows us to make the best recommendations that align with our client’s objectives and budgets. Please remember that we don't accept fan emails, special requests, meet and greets requests. Serious booking inquiries only, please.  Our secret to success is our solid industry relationships and our experience booking talent!

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